Anna and me in front of FleshTime Untitled, 86"x88", February, 2021
photo by David Madeira
I began 2020 painting grids, in part because of the Zoom phenomenon. This quickly shifted to FierceTime in response to the George Floyd murder and the awakening of white communities. This evolved to the FleshTime Series as a staggering number of Americans are dying daily. Besides continuing with the FleshTime Series, I'm hand-building, painting and high-firing ceramic bowls. In this She/They on Clay Series, I celebrate images of diverse people who visibly reflect our evolving humanity.
Mary DeWitt she/her